Francesco Casetti

Collaborators

Francesco Casetti currently teaches courses on Semiotics, on Film and Media Theories, on Post-Cinema and Technical Images, and on Media and Space. He is the author of six books, translated (among other languages) in French, Spanish, Czech, and Korean; he is also co-author of two books, editor of more than ten books and special issues of journals, and author of more than sixty essays.

During the 1970s and 1980s, his research has been mostly focused on semiotics of film and television, in particular about genres, intertextuality, and enunciation. His major achievement was an extensive study on the implied spectator in film (Inside the Gaze, Indiana, 1999, or. 1986) and an edited book on television and its imagined audience (Tra me e te, 1988). During the ‘90s he increasingly moved toward an original combination of close analysis and ethnographic research of actual audiences, introducing the notion of “communicative negotiations” (L’ospite fisso, 1995, on media consumption in 32 Italian families, and Communicative Negotiation in Cinema and Television, 2002, on the idea of “communicative pact” and  “communicative situation”). More recently he explored the role of cinema in the context of modernity (Eye of the Century. Film, Experience, Modernity, Columbia, 2008, or. 2005) and the reconfiguration of cinema in a post-medium epoch, comparing this shift with the rise of cinema at the beginning of 20th Century (The Lumière Galaxy: Seven Key words for the Cinema to Come, Columbia, 2015). He has also significantly written, and still writes, on film theories (Theories of Cinema. 1945-1995, Texas, 1999, or. 1993, and the anthology Early Film Theories in Italy. 1896-1922, AUP 2017). His next projects are an wide-ranging analysis of the anxieties that cinema raised in the first decades of the 20th Century, compared with the iconophobic tradition and with the fears triggered by the contemporary media, and (with Bernard Geoghegan) an innovative archaeology of the screen, starting from the Phantasmagoria of 18th Century to the contemporary mobile hand held devices.